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The GRAMMY Award-winning 12-member band led by the dynamic wife-and-husband duo of Susan Tedeschi and Derek Trucks has released their sixth studio album, with 11 great new tracks. “I feel like this is the most unique record we’ve done,” says Trucks of Future Soul. “It’s my favorite collection of songs that we’ve ever put on a record. From song to song, there’s just not a weak spot. With Future Soul, we wanted to shake things up.”
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The Garrett Boys — brothers Stephen and Russell Garrett, joined by Stephen’s son, Carter – hail from Overton County in East Tennessee, on land that’s been in their family for generations (Carter’s being the ninth) Produced by Ray Kennedy (Steve Earle, Lucinda Williams), It Runs Deep contains elements of bluegrass, folk, and country, and is, as Stephen says, “an album about the sound of our land and the song of its people.” The Garrett Boys will be live in Studio B next Tuesday the 31st at 4pm!
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Birchwood is one of the strongest innovators in contemporary blues today, and this new album of ten original songs is a good confirmation of that. As for what it sounds like, well, the title says it all!
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Thomm explores Jungian psychology on this newest album of his, which also has a companion hardback book version -- Ring-A-Bellin' (out April 3). It's heady, yes, but given Thomm's mechanical German mind, it's digestible. We enjoyed hosting him in Studio B last Thursday, when he talked about it with Joe Greene (available for viewing on our Facebook page: https://www.facebook.com/wncw887)
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Rooted in classic country but shaped by a wide range of influences, Bowlin writes with an honest focus on love, family, faith, and the challenges of navigating life’s changes.
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Renowned US-Dutch gospel-soul powerhouse Michelle David and The True-tones mark a bold new chapter with their forthcoming album, Soul Woman, out on Record Kicks. Building on the critical acclaim of 2024’s Brothers and Sisters, a record that held a mirror up to the world's complexities, the new LP Soul Woman turns inward — a deeply personal exploration of identity, healing, and spiritual resilience.
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Molly Venter (Red Molly) and Eben Pariser (Roosevelt Dime) are a couple, both on and off the stage. This is their third album, but they’re new to us. We’re getting to know them this week, though, as we’ll also have them live in Studio B on Wednesday!
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This is the 10th full-length album from Prince Edward Island and Nova Scotia artist Jenn Grant. It’s a modern-day classic of country and Americana, elevated by Jenn’s unmistakable pop-infused charm.
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Melbourne, Australia’s Steph Strings has been making a name for herself as an impressive acoustic guitarist at home and abroad the past few years, after starting her guitar lessons at age 9 (and piano at age 7). Early influences include Celtic players, blues artists, and folk storytellers. After three EP releases, she has released her first full-length album, and a North American and European tour is underway.
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We kick off International Women’s Month with these new singles from folk-rock icon Suzanne Vega (“Alley”), Nashville favorite Margo Price (Guy Clark’s “Rita Ballou”), and Asheville actor and musician Marisa Blake (“Luchando”).
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Hen’s Teeth arrives fully formed but sits as a sibling record, of sorts, to 2024’s acclaimed and Grammy-nominated Light Verse. Its seeds were sewn over multiple sessions in the foothills of Los Angeles over the last few years, with studio owner/engineer Dave Way (Fiona Apple, Jakob Dylan, Sheryl Crow) at the helm. The record features many familiar names from the Iron & Wine universe - David Garza, Sebastian Steinberg, Tyler Chester, Griffin Goldsmith, Beth Goodfellow, Kyle Crane, and Paul Cartwright – lending their talents to a collection of songs that, while complementary in nature, had their own distinct feel. Some early listeners draw comparisons to Van Morrison’s Astral Weeks.
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Following their previous album of covers appropriately titled Songs We Didn’t Write, the trio Organ Fairchild worked with Justin Guip (Hot Tuna, Levon Helm), who recorded, mixed, and co-produced this album of originals. “Organ Fairchild sits at the intersection of Booker T & the MG’s and Phish as the trio uses the classic organ trio style as a foundation, before pushing out into the unknown with prog-like changes and fluid strolling grooves throughout BOOM!” (Glide Magazine)