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New Tunes at Two

New Tunes at Two

  • This 5-piece band originally formed in Boone before moving to Asheville. Guitarists Killian Wright and Will Fentress, drummer Pauly Scott, keyboardist Isaac McMurry and bassist Ramon Garcia have just released this 7-song debut. Jam-band fans will appreciate their obvious love for acts like Widespread Panic, Phish, and the Allman Brothers Band, but they also weave in some nice pop hooks and jazz licks.
  • Long hailed as one of Australia’s greatest songwriters, Paul Kelly has spent over four decades capturing the beauty, humor, and heartbreak of ordinary lives. On Seventy, he leans into that role with renewed purpose, drawing on classic storytelling traditions where shared tales offer comfort, meaning, and light in the dark. The album plays like a campfire circle or family gathering, each song its own tale: a ghost story, a love song, a joke, a lament. It’s a beautiful way to celebrate turning 70!
  • This 10-song collection marks Walker’s most ambitious concept album to date as he inhabits the inner lives of inanimate objects, writing each song from the perspective of an item at an estate sale. Arriving just months after the surprise release of his critically acclaimed beach-country album Tropicana, Stuff is a major stylistic shift for Walker as he explores stripped-down, experimental indie-folk and Americana, drawing inspiration from the indie music he listened to as a teenager, like Bon Iver, Beirut, and The Postal Service.
  • The frontman for The Old 97’s is back with his 10th solo record, which was recorded in the shadow of a potentially damaging vocal surgery. Threaded with his lived-in reflection on mortality and love in all forms, the album contains some of Miller’s most unguarded material yet. The Old 97’s were recognized with a Lifetime Achievement Award at the Americana Music Awards last month
  • We are excited to share our latest compilation of live session highlights of the past year with you, featuring recordings from artists ranging from Anya Hinkle to Yarn, BERTHA to the SUSTO String Band. Intimate acoustic numbers, full-blown rock and R&B jams, and all styles in between that you hear at WNCW. We’ll be sending the double-CD collection to members who request it as a thank-you gift during our Fall Fund Drive; reserve your copy at our special pre-drive rate of $100, beginning October 18th. Until then, enjoy the tracks we’ll preview for you on New Tunes at Two and throughout the weeks!
  • We are excited to share our latest compilation of live session highlights of the past year with you, featuring recordings from artists ranging from Anya Hinkle to Yarn, BERTHA to the SUSTO String Band. Intimate acoustic numbers, full-blown rock and R&B jams, and all styles in between that you hear at WNCW. We’ll be sending the double-CD collection to members who request it as a thank-you gift during our Fall Fund Drive; reserve your copy at our special pre-drive rate of $100, beginning October 18th. Until then, enjoy the tracks we’ll preview for you on New Tunes at Two and throughout the weeks!
  • As Glide Magazine writes, whenever an established group releases a self-titled album in the middle of their career, it acts as a symbol of rebirth, a new direction, course correction, or perhaps a last gasp. St. Paul & The Broken Bones’ self-titled release finds them centering their sound and style, as frontman Paul Janeway states, “I think the band in general feels reignited”.
  • This is the third album for Cunningham, on Verve Forecast Records, following her wonderful collaboration with Andrew Bird when they reworked the classic ‘70s Buckingham Nicks Fleetwood Mac precursor (which has recently been reissued, by the way.) Ace is another example of Cunningham’s wonderful blend of pop, rock, folk, and jazz, with rich layering and texture thanks to production work from her and Robbie Lackritz.
  • There’s a lot of Tweedy around here these days, between our Southern Songs & Stories podcast on Jeff (found here), his certain influence on the new Autumn Defense release from two of his Wilco bandmates, his son Spencer providing drums on the latest recording from Case Oats, and now this big new release from Jeff himself. Twilight Override is an intentional, sprawling three-disc album, a testament to creativity in the face of overwhelming darkness. Recorded and self-produced at his Chicago studio, The Loft, Twilight Override features Chicago-based friends and family: James Elkington, Sima Cunningham, Macie Stewart, Liam Kazar, and Tweedy’s children Spencer and Sammy. The three chapters of Twilight Override stand alone, but together, they tell a story of the past, present, and future.
  • A former co-lead singer-songwriter of the proto-Americana favorites the V-Roys, a former guitarist with beloved power pop icons Superdrag, as well as performing as a solo artist, Harrison combined talents with Knoxville band The High Score shortly after the beginning of the new millennium and has been delivering a potent cocktail of classic rock and honky-tonk ever since. This is their 7th album. They play Yee-Haw Brewing in Knoxville on Wednesday, October 8th.
  • After last year’s Rick Rubin-produced release focusing more on the soul side, Greenville, SC native Marcus King is returning to his blues and country roots, reuniting with his longtime live band for their first album since 2018’s Carolina Confessions. Kaitlin Butts, Jamey Johnson, Billy Strings, and Jesse Welles are among the guests joining them, as well. Many of the songs are love songs to his wife, but perhaps also to his hometown of Greenville, too – as well as the clarity and gratitude that comes with a commitment to sobriety.
  • The genesis of this album, which follows Plant’s previous collaborations, began during the lockdown in “The Shire,” his home in the English countryside. It was here that Plant connected closely to this group of musicians, who, through their own experiences, had a shared lean towards his much-loved corners of evocative song. Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years gelling their sound and selecting these songs, which come from Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Mimi Parker & Alan Sparhawk of the band Low, Martha Scanlan, and Brevard’s own Sarah Siskind!