Martin Anderson
Music Director & HostEschewing his mother’s taste for easy listening music early on, Martin Anderson was raised on his dad’s love for jazz, his brother’s Beatles/classic rock LP’s, and the bluegrass and Top 40 radio of the D.C. area. He began volunteering for the University of Delaware’s WXDR/WVUD eclectic overnight and morning mixes in 1989. Upon graduating with an American History degree, he moved to Eugene, Oregon, he spent the 90’s working in natural foods, environmental causes, and above all, public radio. He hosted various folk, world, Triple-A, and other shows at KLCC, and started a “Miles of Bluegrass” show at KRVM.
After two years working underwriting sales and various music and public affairs programs at KHSU in Arcata, CA, Martin joined WNCW in 2001 as your weekday morning host. He loves interviewing the many talented musicians who come to Studio B, stretching out with the many styles ‘NCW embraces, and reflecting listener requests, events of the day, and our beautiful Southern Appalachian landscape. As Music Director, he books our live sessions, and keeps in touch with the record labels and promoters that send us new music. When not at the station, he enjoys gardening, hiking, traveling, history, and raising his daughter on good music and more.
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Joseph Terrell of Mipso, and Jordan Tice of Hawktail, are two terrific guitarists who’ve now got “some really fun guitarmonized duo guitar arrangements worked up!” They’re playing the Grey Eagle on Wednesday the 5th, as well as a Boone show at the Jones House on Sunday the 9th. They’ll do some pickin’ with Roland in our Air Studio on Thursday, while Studio B is still Ground-Zero for sending out thank-you gifts to all of you wonderful, generous station members who supported us in our successful Fall Fund Drive! -
This 5-piece band originally formed in Boone before moving to Asheville. Guitarists Killian Wright and Will Fentress, drummer Pauly Scott, keyboardist Isaac McMurry and bassist Ramon Garcia have just released this 7-song debut. Jam-band fans will appreciate their obvious love for acts like Widespread Panic, Phish, and the Allman Brothers Band, but they also weave in some nice pop hooks and jazz licks. -
Long hailed as one of Australia’s greatest songwriters, Paul Kelly has spent over four decades capturing the beauty, humor, and heartbreak of ordinary lives. On Seventy, he leans into that role with renewed purpose, drawing on classic storytelling traditions where shared tales offer comfort, meaning, and light in the dark. The album plays like a campfire circle or family gathering, each song its own tale: a ghost story, a love song, a joke, a lament. It’s a beautiful way to celebrate turning 70! -
For her first album in four years, Carlile had the intention of making a bit more of a stripped-down, intimate, and personal production here. See if you hear that on these new songs, with help from producer (and member of The National) Aaron Dessner, Andrew Watt (who produced the Elton John collaboration, Who Believes in Angels?), and Justin Vernon (Bon Iver). Then there’s Phil Hanseroth (bass, electric guitar), Tim Hanseroth (electric guitar, acoustic guitar), Josh Klinghoffer (pedal steel, synthesizers, electric guitar, piano, keyboards, organ), Matt Chamberlain (drums, percussion), Chad Smith (drums, percussion), Dave Mackay (synthesizers, organ) Stewart Cole (French horn, trumpet), SistaStrings (strings) Rob Moose (strings), Blake Mills (fretless baritone guitar, acoustic guitar, electric guitar), Mark Isham (tenor saxophone) and Elton John (Rhodes piano) -
Peak of the WeekDid you ever make it to one of the now-famous Lockn’ Festivals in Virginia, perhaps to see the TTB among others? This recording marks the first time the iconic tribute performance to this 1970 Joe Cocker album has been available anywhere since the original concert 10 years ago. It’s an audio companion to a documentary film that the band released in 2021. “There was no better act to reproduce the Joe Cocker/Leon Russell-led infamous Mad Dogs & Englishmen ensemble than the Tedeschi Trucks Band…TTB’s musical tribute captures and exudes the exhilaration and significance of an archetypal if brief moment in rock and roll history.” – Rock & Blues Muse -
The genesis of this album, which follows Plant’s previous collaborations, began during the lockdown in “The Shire,” his home in the English countryside. It was here that Plant connected closely to this group of musicians, who, through their own experiences, had a shared lean towards his much-loved corners of evocative song. Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years gelling their sound and selecting these songs, which come from Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Mimi Parker & Alan Sparhawk of the band Low, Martha Scanlan, and Brevard’s own Sarah Siskind!Listen on Apple Music -
As Glide Magazine writes, whenever an established group releases a self-titled album in the middle of their career, it acts as a symbol of rebirth, a new direction, course correction, or perhaps a last gasp. St. Paul & The Broken Bones’ self-titled release finds them centering their sound and style, as frontman Paul Janeway states, “I think the band in general feels reignited”. -
Brennan Leigh -- Don't You Ever Give Up on Love -
After last year’s Rick Rubin-produced release focusing more on the soul side, Greenville, SC native Marcus King is returning to his blues and country roots, reuniting with his longtime live band for their first album since 2018’s Carolina Confessions. Kaitlin Butts, Jamey Johnson, Billy Strings, and Jesse Welles are among the guests joining them, as well. Many of the songs are love songs to his wife, but perhaps also to his hometown of Greenville, too – as well as the clarity and gratitude that comes with a commitment to sobriety. -
This is the third album for Cunningham, on Verve Forecast Records, following her wonderful collaboration with Andrew Bird when they reworked the classic ‘70s Buckingham Nicks Fleetwood Mac precursor (which has recently been reissued, by the way.) Ace is another example of Cunningham’s wonderful blend of pop, rock, folk, and jazz, with rich layering and texture thanks to production work from her and Robbie Lackritz.Listen on Apple Music
