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  • It’s Country music the way we like here at ‘NCW: the spirit of George Jones & Tammy Wynette, the feeling of honky-tonking on the dance floor, the sounds of fiddle, mandolin and pedal steel… Or maybe you call it Soul music? Caleb and Reeb from the Pacific Northwest have put their region on the map as a home for old-school country and old-time music (Foghorn Stringband!), and have co-written most of these songs. Fiddler Joel Savoy, guitarist Chris Scruggs, and others join them on this wonderful album that just ranked #82 in WNCW’s Top 100.
  • It’s the 3rd solo album from the Jayhawks frontman, with an emphasis on solo: there are a few other artists here and there, including occasional Jayhawk Stephen McCarthy (The Long Ryders) on guitars and pedal steel, and Eleanor Whitmore of The Mastersons who arranged and played the string section on one song. But it’s mostly the guitar and piano work of Louris you hear here, adding to the intimacy expressed in the songs themselves. “It is a love letter to my wife Steph, plain and simple. It was written and recorded in my little studio in our home in the mountains of Quebec. It is the most intimate and straight forward record I have ever made. Period. Just me in a room with my songs and you the listener. I am not typically an autobiographical lyricist, but these songs are as literal as can be… all directed to my love.”
  • This 6th album of Lilly Hiatt’s, produced and engineered by her husband Coley Hinson, explores some of her inner thoughts about intimacy and expectations, with at times a pretty raucous rock foundation. On the making of this new one, Lilly says, “After scrapping about 20 songs or so I had written the last few years, I wanted to get to the heart of things. I had a great talk with a friend on the phone and she mentioned she just wasn’t sure where I’d been. I realized I wasn’t really certain of that either. It’d been a foggy few years after 2020, and the pieces seemed to just be starting to be picked up. …For a bit, I felt like an outsider watching myself stumble though everything, and was constantly critiquing myself, to the point where I could hardly leave the house for a bit. But then I realized my life was passing me by, and the love I was living in required presence to accept.” “Time is flying, and I want to be here for it all rather than lost in my thoughts all the time. My love is forever. When I was a kid I used to say to my mom and dad “I love you forever and always” then neurotically changed it to “I love you forever and always and it’s true and I mean it”…because I wanted to make sure they knew how much I wasn’t messing around! I still feel that way when I say “I love you” to anyone and hope it comes across on this record.”
  • Coming out February 28, 2025 on Some Fun Records, this album finds the band reunited with Grammy-winner Brian Joseph (Bon Iver, Kathleen Edwards, Sufjan Stevens) for their fifth album. It was recorded at The Hive Studios in their hometown of Eau Claire, WI. The songs were written by front man Soren Staff. "TCB present their material with the presence of War on Drugs and Band of Horses (“Mountains”), but with an intimacy at times of Rick Danko’s best work with The Band" (Goldmine.)
  • Early James “embraces jagged, moaning blues” (Rolling Stone) on new album Medium Raw, out now via Easy Eye Sound / Concord. Instead of a typical studio setup, producer Dan Auerbach felt the album needed to be recorded in an old house, like many of his favorite Arhoolie records. The house, known as “Honky Chateau,” is an old Nashville property owned by photographer and artist Buddy Jackson. Over 100 years old, the house has plaster on the walls, plastered ceilings, old wallpaper, big oak floors, and a painting of Harry Dean Stanton on the wall. James, Auerbach, and crew brought in all the recording gear themselves – including an old 50’s Universal Audio tube console which was originally built by FAME Studios’ Rick Hall. James and the players on the album - bassist Adrian Marmolejo, drummer Jeffrey Clemens and percussionist Sam Bacco - were all set up in different rooms. James notes that pretty much everything you hear on Medium Raw was, as its title suggests, cut “au naturel.” “We had these beautiful microphones sucking up the soul of the house,” explains Auerbach. Beyond seven Early James originals, the new album includes songs co-written with Auerbach and Nashville songwriter Pat McLaughlin, Sheryl Crow’s frequent collaborator Jeff Trott, roots singer-songwriter Langhorne Slim, Irish songwriter Mick Flannery, and James’ former Birmingham roommate Ryan Sobb. The writing continues to display the hallmarks of James’ distinctive, one-of-a-kind style: whip-smart wordplay, upended clichés, humor both light and dark, and a deep intelligence that frequently reflects a literary sensibility. We hope you got to catch the band’s great live session in Studio B last Wednesday!
  • Topics like bird watching, carpentry, houseplants, and hiking offer insights into bigger, existential questions about life, death, meaning, and purpose. What are we doing with the precious time we have left on this earth? Whether it’s spent making clocks, gathering berries, planting trees, or putting the kids to bed at night, these songs suggest that a life lived with thoughtfulness and care can lead to deeper joy and fulfillment. If Denison sounds reflective, it’s because he is. He says that he’s beginning to see the world that he’s leaving for his children, and wants to focus more on simple things like being a good person and caring for others. “I want to show my children how to live in a community in a meaningful way. How to filter the signal from the noise and focus on what really matters,” he explains. These ten pensive folk-pop songs were recorded and produced by Sufjan Stevens, his long-time friend and collaborator.
  • Patterson Hood is an acclaimed singer-songwriter, guitarist, and co-founder of the Southern rock band Drive-By Truckers. Born in Muscle Shoals, Alabama, Hood grew up immersed in the region's rich musical heritage, with his father, David Hood, being a renowned session bassist for the Muscle Shoals Rhythm Section. Drawing inspiration from timeless storytelling traditions, Hood's music often explores themes of Southern identity, social justice, and personal introspection, whether that’s in the Truckers, or with solo projects like this fourth one of his, and first one in 12 years. Chris Funk, guitarist for The Decemberists, produced it. Other guests include Steve Berlin (Los Lobos), Daniel Hunt (Neko Case, M Ward), Waxahatchee, Lydia Loveless, Kyleen King (Brandi Carlile’s string section leader), Brad Margan and Jay Gonzalez of the Truckers, and Asheville band Wednesday.
  • Punk and folk and Nashville country converge on this strong, seventh album from guitarist and singer/songwriter Sunny War. She’s known for defying any one genre, or mood – she can cover dark topics while somehow also delivering them in a warm, optimistic way. But also don’t overlook her guitar work: “…Her right thumb plunks the bass part while her forefinger upstrokes notes and chords, leaving the other three fingers unused. A banjo technique, it’s also used by acoustic blues guitarists. Her fingers are long and strong – Robert Johnson hands – in jarring contrast to the waif they’re attached to. The walking bass line sounds like a hammer striking piano keys in perfect meter, while the fills are dynamic flurries – like cluster bombs. I haven’t heard a young guitarist this dexterous and ass-kicking in eons.” (Michael Simmons, L.A Weekly.) Producer Andrija Tokic (Alabama Shakes, Hurray For the Riff Raff) helped capture her powers throughout this album. She’s joined in singing these songs by Steve Ignorant, Valerie June, Tré Burt, and John Doe. Sunny’s one upcoming regional appearance (so far) is Knoxville’s Big Ears Festival on March 27th.
  • Jesse Welles grew up in rural Arkansas, and picked up the guitar and songwriting at age 12. You can hear how his first loves were folk artists like Woody Guthrie and Pete Seeger, as well as the folk revival artists of the ‘60s, like Joan Baez, Judy Collins, and of course Bob Dylan. Fearless, he reports from the frontlines of a divided country on the brink, addressing inequalities and injustices around us. As Rolling Stone says, “There’s nothing “middle” about Welles: he’s unflinchingly addressed hot-button topics like the war in Gaza, capitalism, and the U.S. healthcare system.” He’s been an internet sensation this past year with his solo videos on Instagram and TikTok, and we’re excited he’s now got this official, well-produced album. We also appreciate Jesse’s general desire to inspire: “If my music helps you believe you can make art, and that you should make art, there would be nothing better…Get those paints out…[and] fill up that journal."
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