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  • Long hailed as one of Australia’s greatest songwriters, Paul Kelly has spent over four decades capturing the beauty, humor, and heartbreak of ordinary lives. On Seventy, he leans into that role with renewed purpose, drawing on classic storytelling traditions where shared tales offer comfort, meaning, and light in the dark. The album plays like a campfire circle or family gathering, each song its own tale: a ghost story, a love song, a joke, a lament. It’s a beautiful way to celebrate turning 70!
  • It was a Halloween show in 2000 in Kalamazoo, Michigan, that members of what would eventually become Greensky Bluegrass played their first show together. The band is celebrating their 25th anniversary with this reworking of twelve of their favorite songs over the years, this time with ten special guests.
  • Did you ever make it to one of the now-famous Lockn’ Festivals in Virginia, perhaps to see the TTB among others? This recording marks the first time the iconic tribute performance to this 1970 Joe Cocker album has been available anywhere since the original concert 10 years ago. It’s an audio companion to a documentary film that the band released in 2021. “There was no better act to reproduce the Joe Cocker/Leon Russell-led infamous Mad Dogs & Englishmen ensemble than the Tedeschi Trucks Band…TTB’s musical tribute captures and exudes the exhilaration and significance of an archetypal if brief moment in rock and roll history.” – Rock & Blues Muse
  • For her first album in four years, Carlile had the intention of making a bit more of a stripped-down, intimate, and personal production here. See if you hear that on these new songs, with help from producer (and member of The National) Aaron Dessner, Andrew Watt (who produced the Elton John collaboration, Who Believes in Angels?), and Justin Vernon (Bon Iver). Then there’s Phil Hanseroth (bass, electric guitar), Tim Hanseroth (electric guitar, acoustic guitar), Josh Klinghoffer (pedal steel, synthesizers, electric guitar, piano, keyboards, organ), Matt Chamberlain (drums, percussion), Chad Smith (drums, percussion), Dave Mackay (synthesizers, organ) Stewart Cole (French horn, trumpet), SistaStrings (strings) Rob Moose (strings), Blake Mills (fretless baritone guitar, acoustic guitar, electric guitar), Mark Isham (tenor saxophone) and Elton John (Rhodes piano)
  • This 5-piece band originally formed in Boone before moving to Asheville. Guitarists Killian Wright and Will Fentress, drummer Pauly Scott, keyboardist Isaac McMurry and bassist Ramon Garcia have just released this 7-song debut. Jam-band fans will appreciate their obvious love for acts like Widespread Panic, Phish, and the Allman Brothers Band, but they also weave in some nice pop hooks and jazz licks.
  • Kristina Murray is a country artist in the truest sense, a genuine craftswoman with a keen eye and ear for the little details that bring her working-class characters to life, and her delivery is timeless, blurring the lines between the old school honky-tonk, swampy Americana, and R&B-infused southern rock she grew up on in her home state of Georgia. Born and raised in Atlanta, Murray released her debut album in 2013 before moving to Nashville, where she found her place in the honky-tonk community. This new album on New West Records was produced by Misa Arriaga and Rachael Moore. Kristina Murray will be live in Studio B here at 11A.M. on Monday the 28th!
  • “For us, this album is a way to acknowledge what our culture is facing and the effects of the abuse of power,” said Chadwick Stokes, member of this band out of Boston that blends reggae, ska, and roots rock on this new one. “…And we pay homage to the great activists of our time alongside Ani DiFranco on ‘In the Street,’ as a reminder of how crucial it is to not sit back idly. But mostly, our goal with this album is for listeners to enjoy the tunes in whatever way, hopefully at times collectively, and in community.” John Butler is another guest featured prominently here. Dispatch was known on the college/indie scene in the late 1990s and early ‘2000s, prior to its breakup in 2009; they reunited in 2011.
  • We’re excited to see this interesting collaboration, with covers from the likes of Dr. Dog, Joan Armatrading, and Wilco. Rachel Baiman has released her own work out of Nashville, alongside session and side-person work with the likes of Kacey Musgraves, Kevin Morby, and Molly Tuttle. Vivian Leva & Riley Calcagno, from North Carolina and Oregon mostly, perform as a duo and in the old-time band The Onlies. As for Kissing Other (People): “The idea for recording music together was hatched on a cross-country tour in 2022. long hours in the van listening to music revealed our shared tastes and we started daydreaming of capturing some songs together in the studio. The sessions were such fun and spur of the moment. Viv smacked some drums, Rachel slayed the electric guitar, Riley played a keyboard that literally caught on fire.”
  • We love discovering new regional acts here, and the latest is this band out of Asheville, with this debut recorded in Weaverville. Singer/songwriter Lindsey Wall, who also plays fiddle and mandolin, has this to say about their debut: “This album captures a period of time filled with uncertainty, longing, and hope. After Hurricane Helene ravaged our community in Western NC, feelings that I never confronted before came bubbling to the surface. I coped by writing songs. I stopped caring how my musical ideas or words might be judged. So I shared these songs with my friends, who encouraged me and lent me their creative ideas, time, and musicianship.” Other members include Ross Wall, Nik Haase, Thomas Minton, Maria Mason-Freeman, Nate Ballinger, and Will Wittmeier.
  • Check out this album that celebrates inclusivity, togetherness and the deep African imprint on American roots music. “The porch is a metaphor for a perfect world - with the kind of smiles like those between the two of them on the cover,” said MIX Magazine in a recent front-page profile. It’s their 2nd “TajMo” collaboration, the first being in 2017. Singers Wendy Moten and Ruby Amanfu are among the musicians joining them here; for the TajMo duo though, there was one collaboration that felt particularly moving: “We had our sons in there playing with us and all the other musicians and writers were hanging the whole time,” remembers Keb’ Mo’. “So it was a really fun place to be.”
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