Southern Songs and Stories

Peter Holsapple talks with us about the dB’s new retrospective, how his musical upbringing in the hyper local scene in Winston Salem North Carolina served him well as an adult, his lifelong musical friendships, the seemingly unlikely influence of Mott the Hoople and much more. We feature music from I Thought You Wanted To Know as well, a collection that sounds as fresh and innovative now as it did when it was first put on tape.

We take a trip south and west to the Lone Star State for this episode on two great songwriters comparing notes on each other’s latest music, and reaching for a mutual favorite from western North Carolina to talk about in our Three Song Set with Tony Kamel and Kelley Mickwee.

There may never be an episode of Southern Songs and Stories featuring music as far flung as this one, and at the same time there may never be an episode with a storyline that is so unexpectedly close knit. It started out by bringing together two artists I knew but who did not know each other, and who have differing styles of music. Then came a serendipitous revelation that set the stage for a great conversation, and concluded with another surprise when both artists picked a mutual favorite song to talk about in this Three Song Set, one from Georgios Kyriacos Panayiotou, whom you probably know better as George Michael.

It is always heartwarming to witness the spirit of generosity that is central to so many music artists. When you come across musicians who are not only kind but also are incredibly talented and well spoken, magic can happen. All of these things came together when Alexa Rose and Joseph Terrell came to WNCW’s Studio B in early November, 2021, where they played a live session and then stayed for extra innings to record a conversation for this episode.

There are few people working in the music business today that can say that they have worked in several of its eras. Rick Miller, Mary Huff and Dave Hartman are three who can, having started out in a time when radio airplay was the first step in becoming known outside of their hometown of Chapel Hill, NC. Back then, in the mid to late 1980s, getting your music in the hands of your fans meant you would make cassettes, 45s or LPs. At first, you would make them via the DIY route, sending those out to small regional record labels and select radio stations, usually radio stations in towns where you had some foothold by having played shows there and already being on that music scene’s radar. Once your band got airplay on radio (typically college radio), you would leverage that along with your successful shows to get picked up by an indie label, and keep going from there. Essentially, this is how Southern Culture on the Skids began. Many others did not make it past this era, but they did.

Jeremy Pinnell seems to find himself most comfortable in settings filled with high degrees of difficulty. Find out about his life story and his remarkable third album in this episode of Southern Songs and Stories.

Writing songs is seldom easy. But for Amanda Anne Platt, writing songs seems free of anxiety. In fact, keeping a journal and writing songs is her way of processing life. Whereas we might take a walk or talk to a friend to decompress after long hours of doing the hard things, Amanda would likely take those hard things and put them into a melody, melodies which we can in turn crank up on the ride home to loosen up from our static filled day. Joe spoke with Amanda at the Albino Skunk Music Festival in Greer, South Carolina when she and the Honeycutters performed in the late spring of 2021. Included here is their conversation as well as excerpts from the new collection titled Between the Devil and the Deep Blue Sea as well as a live performance from Skunk Fest.

Andrew and Emily talk about their new album and making music the most honest way they know how, the Venn diagram of Watchhouse music which overlaps with both The Stanley Brothers and Pantera, how they have yet to cross the event horizon that could pull them into Nashville, and much more.