Community Calendar

Madison High School JAZZ Band in Concert
Thursday, April 16th 7:00
First Baptist Church of Weaverville
63 North Main St.
Get in the groove, man!
Presented by the Weaverville Music Study Club
Freewill offering taken for the 2026 Messiah presentation.

Aubrey Eisenman & The Clydes are an Americana/Roots group based out of Asheville, NC. Husband and wife fronted, this impressive string band has played international festivals to include the Maverick Folk Festival (UK), The International Bluegrass Music Awards, Aiken Bluegrass Festival and Merle Fest. With their hard working tour schedule and fast moving album releases, they continue to impress young and old fans alike with impressive harmonies, unmistakably North Carolina-inspired picking styles, and gritty, relatable original songs.

A Multi-Media Journey of Resilience, Fiber Art, and Painting by Julie Miles

Three summers ago, in a lightkeeper’s house-turned-museum off the coast of Maine, Julie Miles was asked a simple but piercing question: “Who are you outside of your family?”
“Made of This” is her answer.
After an eight-year hiatus from painting to support her family through her husband’s early-onset Parkinson’s diagnosis, Miles returns to her artistic practice with work rooted in resilience, devotion, and rediscovery. What began as an homage to her farming grandparents evolved into an immersive exploration of material, labor, and belonging.
For this body of work, Miles learned to process and spin raw wool, dye fibers with plants over an open fire, and weave twill cloth on a vintage four-shaft loom. She turned to pinhole photography to create self-portraits in the landscapes of her Michigan youth—beaches, open fields, and rural expanses that echo memory and identity.
Blending fiber, photography, and painting, “Made of This” honors both the harshness and tenderness of life. It invites viewers to dwell in the quiet space where grief and joy coexist, where materials “dictate” their own becoming, and where loving it all—labor, loss, beauty, play—leads to a life well lived.
Join us for the opening reception on April 3rd and experience a powerful return to art shaped by devotion, discovery, and the enduring act of making.

April 3 – 26
Monday – Friday, 10:00 AM – 5:00 PM
Reception: April 3, 5:00 – 6:30 PM
at the Black Mountain Center for the Arts

The word craft-itarianism was coined by 2026 Center for Craft Curatorial Fellow Alyssa Velazquez to name artistic projects that generate employment, raise awareness, or offer therapeutic support through craft. These programs provide a space where people affected by addiction, incarceration, and gun violence can find solidarity while learning a skill.

Craft-itarianism: Community Action Through Craft celebrates nonprofits and artists who believe in—and actively practice—the power of craft to support and empower individuals and communities.

This exhibition was curated by 2026 Center for Craft Curatorial Fellow Alyssa Velazquez. Launched in 2017, the Curatorial Fellowship supports emerging curators exploring new ideas about craft with mentorship, professional development, and a $5,000 honorarium to realize an exhibition.

On view February 27, 2026–September 27, 2026.

This is an exhibition of multiple artists works as they pertain to the interpretation of relationships between color and mood. Consider the emotional power of color and the way it evokes story, atmosphere and meaning. This exhibition hopes to reveal a playful and experimental interaction through color's ability to shape perceptions and influence emotions. 

Make it yourself! Join us at our downtown Asheville metalsmithing studio to make this silver + brass + CZ star charm. You'll solder, set, stamp, and polish your charm. Leave with your finished piece. *Silver chain included and family friendly activity ages 12 and up **All silver upgrades available and other charm shapes available as well

Join us at the historic Balsam Mountain Inn for a wonderful night of live music and BBQ. Asheville-based roots artist Anya Hinkle (vocals, guitar) teams up with Nashville-based fiddler/vocalist Libby Weitnauer for an intimate exploration of acoustic music rooted in the sounds of Appalachia and seasoned by travels around the globe. Following international tours in Japan, Europe, and across the US over the past year, the duo will bring their surprisingly dynamic range of styles back home in 2026.

Anya won the Merlefest Chris Austin song contest (2019) and was the runner-up in the 2021 International Acoustic Music Awards. She has played stages at Merlefest, Gettysburg Bluegrass Festival, La Roche Bluegrass Festival (France), Richmond Folk Festival, Grey Fox Bluegrass Festival, Moab Folk Festival, and Bristol Rhythm & Roots Reunion. She has recorded 11 albums in various configurations, including recordings with bluegrass bands Dehlia Low (Rebel Records) and Tellico (Organic Records), of which she was a founding member, and currently with her worldgrass trio TANASI (Mary Lucey, Billy Cardine).

THE CHAIN pays homage to all the greatest hits of Fleetwood Mac, featuring the talents of Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, Christine McVie and John McVie. The Chain is comprised of five seasoned, talented musicians who have been performing in many musical projects over the years both local and national.

APLR Presents: Natalie Jane Hill - Album Release -

with Sham

Friday, April 17th, 2026

AyurPrana Listening Room - 312 Haywood Rd, Asheville, NC 28806

Doors 6PM || Event 7PM

Natalie Jane Hill

Natalie Jane Hill’s new record, Hopeful Woman, is composed of slender songs, life-sized, in which humans endeavor to reconcile themselves to wildernesses and cities; rearrange their rooms and open windows to be closer to the world outside and its choruses of frogs and crickets; attempt and fail to reach one another across a kitchen table; weather natural disaster. If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”

Hopeful Woman was recorded live in two parts: first in Lockhart, Texas—she’s a native of the state—and then in Western North Carolina, where she now makes her home. She enlisted a small ensemble of collaborators whose spacious but focused arrangements hum with the nuance and delicacy that has attended the recordings of another thoughtful Texas songwriter, the great Edith Frost. Hill’s crackerjack multi-instrumentalist partner Mat Davidson in particular appears throughout with preternatural grace: attend to his aching pedal steel on “Never Left Me,” or demurely pastoral-psychedelic flute that weaves through “Lucky to Be,” or the stacked fiddles on “Blue is the Color of My Sun.” All is in deft service to Hill’s magnificent voice, redolent of Hope Sandoval or Karen Dalton but more humane, more sturdy, closer to the earth.

It’s only close to the earth where hope takes root and, we can only hope, grows—not in reckless, wild fecundity but in measured steps, one at a time, while the storm gathers, rips through, passes. “And I know through time we’ll give and we’ll let go,” Hill sings. “And I know this time I’ll give and I’ll let go.” Hers is a wise and humane hopefulness, built exquisitely to human scale. The same can be said of this record.

Billie Holiday's unique vocal approach and advanced sense of rhythm made her one of the most important and influential vocalists in American History. Her relentless fight to be treated as an equal - as a musician, a female, and an African-American - made her one of the most important American figures in the 20th century. Join us as we detail how she developed her unique vocal style and how she blazed a trail for women and African-Americans that would pave the way for future generations.