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Everyone who has donated up to this point (including monthly sustainers and pre-drive donors) will be entered to win!

Our Fall Fund Drive is happening October 25-31. Nnow through midnight on Friday, October 24th, Crowd Around the Mic Volume 29 is available for a $100 donation during our pre-drive. Once the drive starts on October 25th, the donation level will increase to $120.

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The genesis of this album, which follows Plant’s previous collaborations, began during the lockdown in “The Shire,” his home in the English countryside. It was here that Plant connected closely to this group of musicians, who, through their own experiences, had a shared lean towards his much-loved corners of evocative song. Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years gelling their sound and selecting these songs, which come from Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Mimi Parker & Alan Sparhawk of the band Low, Martha Scanlan, and Brevard’s own Sarah Siskind!Listen on Apple Music

As Glide Magazine writes, whenever an established group releases a self-titled album in the middle of their career, it acts as a symbol of rebirth, a new direction, course correction, or perhaps a last gasp. St. Paul & The Broken Bones’ self-titled release finds them centering their sound and style, as frontman Paul Janeway states, “I think the band in general feels reignited”.

Brennan Leigh -- Don't You Ever Give Up on Love

After last year’s Rick Rubin-produced release focusing more on the soul side, Greenville, SC native Marcus King is returning to his blues and country roots, reuniting with his longtime live band for their first album since 2018’s Carolina Confessions. Kaitlin Butts, Jamey Johnson, Billy Strings, and Jesse Welles are among the guests joining them, as well. Many of the songs are love songs to his wife, but perhaps also to his hometown of Greenville, too – as well as the clarity and gratitude that comes with a commitment to sobriety.

This is the third album for Cunningham, on Verve Forecast Records, following her wonderful collaboration with Andrew Bird when they reworked the classic ‘70s Buckingham Nicks Fleetwood Mac precursor (which has recently been reissued, by the way.) Ace is another example of Cunningham’s wonderful blend of pop, rock, folk, and jazz, with rich layering and texture thanks to production work from her and Robbie Lackritz.Listen on Apple Music