Charlotte 101.3 - Greenville 97.3 - Boone 92.9 - WSIF Wilkesboro 90.9
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Alex Nudd

Music Host and Producer

Alex has been a fan of radio since childhood and jumped at the chance to get involved with college radio in the late 90's. He served as marketing director and program director at WAQU before taking a job with Clearchannel Broadcasting around the turn of the century.

After becoming disenchanted with commercial radio, he moved to Asheville in 2006 and soon became acquainted with WNCW as a listener, supporter, and volunteer.

In the meantime, he has operated a small home improvement business in Western North Carolina, where he enjoys life with his wife, Darlene, and Son, James, and has enjoyed public radio all the while.

It wasn't until 2023 that he knocked on the door at WNCW and said, "I would like to get in on this action." Program director, Joe Kendrick noticed that Alex has a face for radio and Alex explained that it was because he had some radio experience in decades past and it is hard to get the radio off once you really get all into it.

After hosting over 100 hours of ARC overnight, Alex signed on as a staff member and now hosts and produces radio programs for WNCW. You can hear him on WNCW's Music Mix Mondays from 3 to 6 pm, Thursdays from 9pm to midnight, and Peak of the Week Thursdays from 8 to 9 pm, and as an occasional fill-in host.

  • Peak of the Week
    Produced by GRAMMY®-winning close collaborator Matt Ross-Spang (who helmed Price’s prior albums Midwest Farmer’s Daughter, All American Made, Hard Headed Woman), this surprise new album from Margo honors former songwriters who have used the emotional and lyrical power of song to advocate for human dignity and independence – in this case, Bob Dylan, Blaze Foley, and Charlie Daniels. Tracing a lineage of protest music through some of its most powerful voices, the surprise drop comprises nine tracks that embody the issues Price has championed both on and off the stage, from prison reform and marijuana legalization to the rights of farmers and immigrants, and the struggles of working people around the world. Joan Baez and Memphis Mariachi are among the artists here.
  • Peak of the Week
    This band fronted by BJ Barham (who has NC roots, by the way) may not have found anything approaching mainstream success, but it’s certainly got a loyal fan base throughout the country that eagerly awaits each strong release from them. And we have that again this year, with another one produced by Shooter Jennings. As Peter Churchill of Americana UK writes, “Barham founded the band in 2006 and, twenty years and twenty albums later, is still writing songs that could sit quite easily within the catalogues of a Springsteen or a Mellencamp. Tackling themes like the downfall of small-town America, the yearning for true connection and the socioeconomic wreckage of unconstitutional politics, Barham’s lyrics paint pictures wrapped around a rock and roll soundtrack.” They play the Neighborhood Theatre in Charlotte on August 15th and the Grey Eagle in Asheville on September 3rd.
  • Peak of the Week
    The Breaks brings together guitarist Eddie Roberts (The New Mastersounds), drummer Stanton Moore (Galactic), and organist Robert Walter (The Greyboy Allstars)—three musicians whose collective groove has shaped the sound of contemporary funk for over two decades. Rooted in the tradition of late-’60s organ trios and hard-hitting boogaloo, The Breaks pushes the sound forward with deep-pocket rhythms, tight arrangements, and fearless improvisation. Eddie Roberts’ sharp, melodic guitar work dances effortlessly over Stanton Moore’s explosive New Orleans-infused drum grooves, while Robert Walter’s signature Hammond organ tones tie it all together with grit and soul.
  • Peak of the Week
    Midwesterner Kevin Morby always delivers lyrically rich, intriguing albums. There’s a newfound confidence and clarity in this, his 8th one, following 2020’s Sundowner and 2022’s This Is a Photograph. Aaron Dessner of The National produced this, and both Morby’s writing and Dessner’s production recall Tom Petty’s 1994 classic Wildflowers. “Morby’s albums are akin to novels, best taken as a whole, but the songs that make up each of the chapters are their own novellas. …This record is so Zen. So Heartland. Kevin Morby is a Master of The Sonic Build.” – WNCW Program Director Joe Kendrick. “Repetition and ritual are paths to enlightenment in Mr. Morby’s songs, and the quietly powerful ‘Little Wide Open’ is filled with earned wisdom.” — The Wall Street Journal
  • Peak of the Week
    Following his Middle album from last year, which we enjoyed spinning, and millions of new Instagram and TikTok followers (and about as many songs in the fields under power lines), Jesse Welles releases his sixth studio album, Masks Off. It’s the culmination of his work, as he came to prominence by performing songs in the Arkansas wilderness where he was raised and where he currently resides. “These songs were highlights of the past year, and they sort of speak to the moment we’re at,” he states. “I’m not trying to tell folks how to think or get a reaction. All I do is write my lyrics, make my records, and cross my fingers.” Jesse plays in Asheville on July 25th.
  • Peak of the Week
    We’re glad to have the latest project of Western NC’s Anya Hinkle, Billy Cardine, and Mary Lucey — Tanasi. Perhaps you’ve already gotten to know this trio of “worldgrass” musicians. As they describe it, their music “follows the invisible threads that connect cultures, landscapes, and hearts—from Nepal’s high plateaus and South African villages to the mountains of Appalachia—celebrating the shared human rhythms that surface wherever people gather to sing, dance, grieve, and love. Together they represent an eclectic variety of regional acts over the past 20+ years, including Tellico, the Biscuit Burners, Lovers Leap, and Acoustic Syndicate. Songwriters on this new release, aside from traditional Appalachian and Nigerian tunes, include Jimmy Cliff, Shambhujeet Baskota and Bidhan Acharya, George Harrison, and the three members.
  • Peak of the Week
    Written across Bolinas, the North Carolina Piedmont, and a Santa Fe motel room, this new album from M.C. Taylor and Hiss Golden Messenger traces the artist’s search for clarity through landscapes both external and internal. These songs move through heartbreak, aging, fatherhood, desire, disillusionment, and the hard-won hope that remains after the spirit has been scraped bare. Produced with Josh Kaufman at Dreamland, a decommissioned church outside Woodstock, the album carries the warmth of musicians playing live in a circle, stained-glass light filtering across guitars, drums, and upright bass. Contributions from Bruce Hornsby, Sam Beam, Marcus King, Sara Watkins, Amy Helm, Eric D. Johnson, and members of Dawes enrich a sound world that feels immediate, vulnerable, and fully alive.
  • Peak of the Week
    The latest release from one of our favorite bands marks a return to the bluegrass foundations that first bound them together, approached with the confidence and emotional range earned through years of collective evolution. It is an affirmation that bluegrass still contains endless expressive possibilities. Themes of history, chance, and generational continuity recur throughout this new, 15th album from the band. And it marks their 25th anniversary! Steve Martin and Edie Brickell guest on this one.
  • Peak of the Week
    It’s Taj Mahal! We’re excited to share with you this strong album of soul, roots, folk, reggae, and blues from one of the cornerstone architects of American music. Originally recorded in 2010 alongside Taj’s longtime collaborators the Phantom Blues Band — a three-decade partnership responsible for GRAMMY-winning albums Señor Blues (1997) and Shoutin’ in Key (2000) — Time captures a shared musical language refined across decades.
  • Peak of the Week
    The centennial anniversary of B.B. King and Lucille is certainly worth celebrating big time! The King was born in September of 1925, and when Joe Bonamassa realized there hadn’t been a tribute big enough to match his impact on the blues world, he helped assemble this 32-track collection of over 50 artists, including Christone “Kingfish” Ingram, Eric Clapton, Keb’ Mo’, Marc Broussard, Shemekia Copeland, Marcus King, and, of course, the great Buddy Guy.