In Long Overdue, Traci Wright Martin and Michelle Radford underscore the importance of recognizing and acknowledging women’s contributions. Traci Wright Martin’s charcoal and mixed media series, “Art Herstory and the Moth,” focuses on underrepresented women in art history, paying tribute to them through visual quotations and symbolism. Michelle Radford highlights the historical oversight of women’s textile work and aims to bring recognition to their innovative designs as valuable artistic expressions.
Both artists challenge traditional perceptions of gender norms, albeit in different contexts. Wright Martin challenges the overshadowing of female artists in art history by drawing a parallel to imagery of moths. Often an overlooked organism, the moth in Martin’s work symbolizes the need for representation of the feminine art experience. Meanwhile, Radford challenges distinctions between art and craft, conceptual and decorative, urging viewers to reconsider their attitudes toward women’s stitchwork and handicrafts.